Harold Lloyd ranks alongside Charlie
Chaplin and Buster Keaton as one of the most popular
and influential film comedians of the silent film era.
Lloyd made nearly 200 comedy films, both silent and
sound, between 1914 and 1947. He is best known for
his "Glasses Character", a resourceful, success-seeking
go-getter who was perfectly in tune with 1920's era
America. His films frequently contained "thrill
sequences" of extended chase scenes and daredevil
physical feats, for which he is best remembered today.
The image of Lloyd hanging from the hands of a clock
high above the street in Safety Last (1923) is one
of the enduring images in all of cinema. Lloyd did
many of these dangerous stunts himself, despite having
severely injured his right hand in a 1919 accident
with a prop bomb.
Lloyd began his film career in the 1910's with pioneer
comic filmmaker Hal Roach, portraying the Chaplin-inspired "Lonesome
Luke" character in numerous short comedies. By
1918, Lloyd and Roach had developed the "Glasses
Character" (always named "Harold" in
the films), a much more mature comedy character with
greater potential for sympathy and emotional depth.
Beginning in 1921, they moved to feature length comedies,
including "Grandma's Boy" (1922), "Safety
Last" (1923), and "Why Worry? (1923)".
Lloyd and Roach parted ways in 1924, and Lloyd became
the independent producer of his own films. These included
his great works "Girl Shy" (1924), "The
Freshman" (1925)(his most successful silent film), "The
Kid Brother" (1927), and "Speedy" (1928),
his final silent film. These films were enormously
successful and profitable, and influenced many filmakers.
Like the other great comics, Lloyd was the driving
creative force in his films, particularly the feature
length films, and became one of the wealthiest and
most influencial figures in early Hollywood.
Lloyd made the transition to sound in 1929 with "Welcome
Danger", and made a handful of sound films until
1937 (including the excellent ensemble film "Milky
Way" in 1936). But his character was out of tune
with movie audiences of the Great Depression, who failed
to respond as before. Lloyd retired from the screen,
with one final starring appearance in "The Sin
of Harold Diddleback" (1948). |